The Legacy of ‘The Front Page’: A Timeless Chicago Classic

The original opening night of “The Front Page” on August 14, 1928, witnessed wild applause at New York’s Times Square Theatre. In this atmosphere, co-author asked Helen Hayes to marry him and she agreed. This stood as a testament to both the play’s impact and its creators, Ben Hecht and Charles MacArthur. The play drew from their real-life experiences in a Chicago rife with political corruption, creating an influential and lasting work.

The plot of “The Front Page” remains straightforward. Reporter Hildy Johnson plans to leave journalism and marry, transitioning to an advertising career in New York. However, his editor, Walter Burns, is determined to keep him. When convicted killer Earl Williams escapes jail, Burns convinces Hildy to chase this final scoop. Set entirely in a press room, the play features poker-playing reporters, a mayor anxious about re-election, and a crooked sheriff.

This play has been chosen to inaugurate Northlight Theatre’s new $32 million Evanston venue. Northlight’s artistic director, BJ Jones, expresses enthusiasm, stating the play resonates with contemporary issues and highlights Chicago’s spirit. Tim Evans, the executive director, shares the excitement, noting the play’s layers and continued relevance.

The play’s journey began with producer Jed Harris and director George S. Kaufman, celebrated for shaping 1920s and ’30s comedy. While the stars’ names may fade, the play’s impact is undeniable. A review from The New Republic labeled it “vulgar,” while E.B. White of the New Yorker praised its vibrant depiction of journalism’s chaotic world.

“The Front Page” influenced notable figures, with Tennessee Williams designating it his favorite play. He attributed its raw language and frankness to freeing American drama from restraints. Its first run lasted 278 performances and saw four more Broadway revivals, featuring actors like Nathan Lane, John Slattery, and John Goodman.

The 1931 film adaptation “The Front Page” was followed by “His Girl Friday” in 1940, directed by Howard Hawks, with a gender flip for Hildy, played by Rosalind Russell. The play returned in 1974 under Billy Wilder, with stars Jack Lemmon and Walter Matthau. The play continues to be staged, last appearing in 2011 at TimeLine Theatre Company.

Jeffrey Hatcher, who adapted the current production for Northlight, chose the “Girl Friday” model, casting Hildy as female. Previews start on September 9 with a talented cast.

Gary Houston, a local theater staple, previously played McCue, a role reinforcing his journalistic experiences. He fondly recalls the Goodman Theater’s run, underscoring the respected tradition of “The Front Page” among actors and audiences alike.

The current newspaper industry might differ significantly from the world portrayed at Northlight Theatre. Yet, Hecht and MacArthur’s creation masterfully captured an era where headlines overshadowed humanity and speed trounced accuracy, nurturing distrust in politics and media alike.

Ben Hecht’s widow, Rose, shared many stories, recalling the historic opening night proposal. Her tales affirmed the legend’s authenticity, enriching the legacy of a play that continues to captivate audiences with its audacity and humor.