New Leadership in American Symphony Orchestras: Elim Chan and Daniel Harding

Elim Chan is set to take charge of the San Francisco Symphony as its music director in September 2027, following her role as a conductor starting in June. This transition marks a significant moment in the classical music scene as orchestras gear up for new seasons. The San Francisco Symphony and the Los Angeles Philharmonic, two of America’s premier orchestras, are looking ahead with new music directors at the helm. Chan, from Hong Kong, joined the San Francisco Symphony after an extensive search for leadership, culminating in announcements earlier in the year. Her presence brings potential shifts in direction and an impact extending beyond local communities into international music circles.

Conversations with Chan reveal a vibrant personality full of warmth. Her adventure into boxing, a hobby she began a decade ago, reflects her search for challenges beyond her comfort zone. During her studies at Smith College in Massachusetts, alongside courses in forensic science, a chance opportunity arose to lead a collegiate choir that turned into an ‘Aha!’ moment. Chan’s path led her to become the first and only woman to win the Donatella Flick Conducting Competition, eventually earning her a doctoral degree at the University of Michigan.

When Chan conducts, her performances generate excitement. Joshua Kosman, a retired classical music critic, describes Chan as relatively unknown but suggests her guest appearances have been ‘exciting beyond measure.’ The choice to appoint Chan is perceived as daring, as San Francisco historically opted for established figures such as Michael Tilson Thomas and Esa-Pekka Salonen. By choosing Chan, the orchestra breaks tradition by appointing the first woman in its 115-year history.

Upon guest-conducting in San Francisco in 2023, Chan likened the experience to a date, where mutual impressions and chemistry led to her appointment. Recognizing challenges in audience engagement, she seeks innovative approaches to make concerts an exhilarating experience beyond home audio systems. Chan envisions concerts as exceptional events that evoke strong audience reactions.

Meanwhile, Daniel Harding is set to take charge in Los Angeles. The seasoned Englishman, known for his musical dedication, brings diversity to his role. While his appointment might appear ‘safe,’ Kosman interprets it differently. Historically, Los Angeles attracted emerging talents like Gustavo Dudamel, and Harding’s experience compliments this legacy.

Harding’s humble disposition contrasts with Chan’s energetic style. He modestly distances himself from social media glamour, prioritizing music. His career spans decades, and he began as Simon Rattle’s assistant before conducting the Berlin Philharmonic at age 21. Harding’s partnership with the Los Angeles Philharmonic spans over 30 years, during which he fosters creativity and musical exploration.

Both Chan and Harding defy conventional norms in classical music leadership. Kosman remarks on shifting paradigms away from traditional ‘old European men’s models,’ emphasizing personalized approaches. With Chan and Harding leading two major orchestras, their unique styles promise fresh experiences for audiences and innovative paths for orchestral music in America.