The Cinerama Dome, an iconic movie theater in Los Angeles, is set for a major comeback. Closed since the COVID-19 pandemic, the theater will be restored and reopened in 2028, thanks to a lease agreement with SONY Pictures and Alamo Drafthouse Cinema.
SONY Pictures announced they will take charge of restoring the historic venue, while Alamo Drafthouse will operate the Dome and 14 additional screens at the multiplex next door. Tom Rothman, CEO of SONY Pictures Entertainment Motion Picture Group, expressed enthusiasm, stating, “We’re bringing the Dome back.” He emphasized the company’s commitment to the moviegoing experience, noting that the Cinerama Dome is a unique venue.
The Cinerama Dome’s closure symbolized the pandemic’s impact, but this revival underscores the industry’s recovery. Michael O’Leary, from Cinema United, highlighted the importance of the Dome’s reopening. Escott Norton of the Los Angeles Historic Theatre Foundation noted significant public anticipation, calling the theater a key part of the Hollywood experience.
As an LA native, Norton recalls memorable visits to the Dome. He remembers the thrill of watching films like “Close Encounters” and “Apocalypse Now” on the grand, curved screen, describing the immersive nature of its wide screen format.
The Cinerama Dome was constructed quickly, in just 16 weeks, for the premiere of “It’s a Mad, Mad, Mad, Mad World.” Built in 1963 by William Forman, founder of Pacific Theaters, it showcased the Cinerama format, a widescreen innovation from the 1950s.
The theater became a landmark for film lovers, known for decorations like Godzilla bursting through its roof or being painted as Shrek’s head. It hosted numerous premieres and events, enhancing its reputation as a filmmaking hub.
Quentin Tarantino, a vocal supporter and director, included shots of the Dome in “Once Upon a Time in Hollywood” and has spoken about his admiration for the theater. Despite owning two other LA cinemas, he once expressed interest in acquiring the Dome.
The theater’s revival was fueled by efforts from preservationists, notably Benjamin Steinberg, who initiated a campaign to save it. His efforts included rallies and an online petition, garnering over 30,000 signatures. Steinberg even projected images on the Dome to persuade the owners to take action.
This activism may have influenced the decision to restore the Dome, according to Norton. SONY has committed to maintaining the historical aspects of the Dome while ensuring its sustainable future.

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