Olivia Wilde’s ‘The Invite’ Offers a Fresh Take on Marital Dynamics

In Olivia Wilde’s engaging chamber comedy, “The Invite,” a dinner gathering provides the backdrop for a complex exploration of marriage and relationships. The plot centers around a couple whose marriage is on shaky ground. They invite their upstairs neighbors over for an impromptu dinner, setting the stage for lively exchanges and unexpected revelations.

Set in a single location, this film channels elements from both the stage and screen. You might anticipate comparisons to classics like “Who’s Afraid of Virginia Woolf?,” with a mix of sharp dialogue and moments of revelation. However, Wilde’s direction and performance give the film a unique twist on traditional comedies of manners. Although the mechanics can feel evident at times, “The Invite” maintains an energetic pace and exceptional performances.

This latest film marks Wilde’s third directorial effort. After the success of “Booksmart” and the mixed reception of “Don’t Worry Darling,” “The Invite” showcases her strength in comedy. Her exceptional comedic timing elevates the film further. The story begins with Joe, played by Seth Rogen, and his wife, Angela, portrayed by Wilde, finding their way home in different manners to their San Francisco apartment.

Joe, an associate professor, navigates the city’s hills on a foldable bike. In contrast, Angela takes a leisurely approach, gathering flowers and groceries. Upon reaching home, they immediately clash, with tensions boiling over when Joe discovers their daughter is at a sleepover and the neighbors are invited for dinner.

Angela’s desire to impress their guests fills her with anxiety. She purchases a new outfit and updates the living room decor. Joe’s primary interest lies in addressing the noise from their upstairs neighbors. Their heated conversation halts when the doorbell rings, introducing Penélope Cruz as Pína and Edward Norton as Hawk.

Pína, with her graceful presence, is a psychotherapist and sexologist. Hawk, embodying his firefighter persona, adds fuel to the charged atmosphere. The script by Rashida Jones and Will McCormack sees these characters maneuver through exaggerated differences that contribute to both humor and introspection.

Angela’s performance stands out in this dynamic ensemble. Her character’s layers of anxiety and yearning for change unfold exquisitely throughout the film. Even in moments of chaos, like disposing of a burned soufflé, Wilde’s portrayal resonates with authenticity.

The dialogues seamlessly blend personal issues like relationships with lighter subjects. Topics range from music and art to sexuality, allowing the cast to delve into authentic conversations. A heavier musical score occasionally detracts, but it underscores Angela’s internal struggle.

The film’s title, “The Invite,” alludes to an intriguing offer by Pína and Hawk during the evening. Their noise derives from hosting sex parties, and they propose a foursome. Angela and Joe, initially surprised, are subtly intrigued by the possibility. The movie tactfully explores such themes with sensitivity and depth.

Through Norton’s Hawk, themes of openness and change surface poignantly. While “The Invite” broaches risqué topics, its true focus is on growth and embracing new experiences. The narrative thoughtfully addresses the stasis Joe and Angela find themselves in, prompting reflection without judgment.

A24 presents “The Invite,” rated R for its mature themes, dialogue, and drug use. With a runtime of 107 minutes, the film receives three and a half stars out of four, offering both humor and poignancy in its examination of committed relationships.