“Hayward” – A New Play by Netta Walker

Netta Walker’s new drama “Hayward” draws inspiration from “Electra” and “Hamlet.” The lead character follows her father’s ghost and channels Electra’s fierce determination to avenge his death. Walker has created a gripping play for the Gift Theatre cast at Steppenwolf’s 1700 Theatre. The play dives deep into emotional territory, akin to Tracy Letts’ “August: Osage County” and the intense family dynamics in “The Bear’s” episode, “The Feast of the Seven Fishes.”

Set in the “deep, real, Black American South,” according to Walker’s script, “Hayward” adds to American family drama traditions. The play unfolds in the aftermath of a family member’s death, exposing raw emotions and fracturing relationships. Luna, the sensitive central character, feels authentic and possibly mirrors Walker’s experiences. Typically, such visceral works emerge from personal insights.

Luna represents the struggle between familial love and anger towards the man she holds responsible for the turmoil. Her performance, particularly the scene of immobilization by grief, echoes a body’s response to trauma. The scene transcends mere definitions of depression or mental-health crises, delivering a powerful portrayal of emotional impact.

Directed by AmBer Montgomery, “Hayward” maintains relentless intensity with a dedicated cast. Sydney Charles’ portrayal of a recovering addict captivates with a deeply convincing overdose scene, stirring the audience’s concern. Alfred H. Wilson’s performance sees him navigate a tense environment where characters target his Pastor Johnson, yet he skillfully responds to threats.

Ireon Roach’s depiction of Luna reveals the emotional stagnation caused by trauma. Her performance captures the paradox faced by artistic souls, as seen with characters like Electra and Hamlet. Despite imperfections, “Hayward” merits attention for its characters’ relatable struggles and their impact on loved ones.

The play may begin with humor that contrasts with its overall tone, and the complexity of Pastor Johnson’s actions could be clearer. However, Walker’s youth promises refinement over time. Overall, “Hayward” provides a profound look at familial relationships and personal identity.

Chris Jones from Tribune mentions the play runs through November 22 at Steppenwolf’s 1700 Theatre. It has a duration of 1 hour and 30 minutes, with tickets priced between $45-$50. You can contact 312-335-1650 or visit steppenwolf.org for tickets.