Review of ‘The End of Oak Street’

David Robert Mitchell’s film, The End of Oak Street, offers a unique cinematic experience, blending elements of classic summer movies with a touch of carnival-like excitement. The story’s setting, a cul-de-sac with a telephone pole and radiating wires, mirrors the film’s whimsical tone.

This 1980s-set movie surprises viewers with its ability to channel the blockbuster energy of Amblin-style films. It delivers a summer thrill ride perfectly suited for drive-in theaters. Mitchell, renowned for his horror film It Follows and the neo-noir Under the Silver Lake, steps away from indulgence as he crafts The End of Oak Street, focusing on audience engagement.

Central to the plot is the Platt family, living in a San Fernando Valley-like neighborhood. Denise (Anne Hathaway) and Greg (Ewan McGregor) face challenges in their all-American family setup. Their children, Audrey (Maisy Stella) and Brian (Christian Convery), sense underlying family tensions. The film explores cracks in their suburban lives, hinting at potential cataclysmic events.

The storyline embraces various genres, from sci-fi to horror and absurdism, with a sprinkle of silliness. Yes, there are dinosaurs, but Mitchell skillfully reveals them, starting with mysterious flashes of light and exotic flowers. Soon, Oak Street transforms into a prehistoric island, inadvertently solving the recurring setting issues faced by Jurassic Park films.

Suburbia now becomes a battleground for survival, with encounters across porches and living rooms. Amidst the chaos, The End of Oak Street excels in its character sincerity. While Hathaway shines, the cast portrays grounded family dynamics amidst the fantastical premise.

Michael Giacchino’s score complements the film’s Spielberg-like narrative, yet Mitchell adds unique touches. Moments like Audrey listening to Steve Winwood’s “Valerie” in a car offer nuanced detours. As secrets unfold, characters grapple with revealing truths, fearing repercussions within the family.

Symbolism lurks, as the sudden dinosaur invasion parallels ecological disruptions. The family’s resilience proves they can handle more than anticipated, even when faced with comic threats like a giant snake at home.

The End of Oak Street, rated PG-13 for its violent content, bloody imagery, strong language, and suggestive material, provides viewers with a dark yet entertaining family adventure. This Warner Bros. release showcases Mitchell’s ability to transform suburbia into a realm of unpredictable excitement.